7.15.2008

Weakened Warrior

I know, I know. I've been slacking on the blog entries. But that's because I haven't been slacking on doing things I can write blog entries about. Weird how that works, huh?

Anyway, this past weekend went like this: on Friday, take the train after work to Asbury Park to see Maybe Pete and Jason (as in "and the Scorchers") Ringenberg at the Saint. On Saturday morning, get a ride back home and then immediately head out to the Super Mega Show (one of my favorite-named autograph shows) in Fairfield, NJ, to give people who were once celebrities money that I probably need more than they do (well, some of them). After that, it was back on the train to Asbury Park to see the mighty Hudson Falcons at the Stone Pony. And after a ride home from that, it was a few hours of sleep before heading out to the All-Star Fan Fest at the Javits Center. Finally, there was America's Polka King Jimmy Sturr at Liberty State Park.

And now I'm in Staten Island, waking up at 5:30 in the morning to get to work on time.

All that is to say I'm still a little winded. But the stories and photos will trickle in over the next few days, OK?

First, I will say that it was the height of kickassery to see Jason Ringenberg sing "Absolutely Sweet Marie," "White Lies," and "Take Me Home Country Roads" with the New Jersey Scorchers, a/k/a Maybe Pete. Maybe Pete's set was fun enough, and Jason's set was pretty damn cool (but could've been cooler...see below), but the three-song set at the end was so awesome that a word doesn't exist to describe it. And that, of course, is a writer's way of being lazy when he's still recovering from a long weekend. But, really, you should've been there.

In fact, it would've been awesome if you were there because it (a) would've meant that there were more than 20 people seeing a legendary musician (his jacket's in the Country Music Hall of Fame, people) on a Friday night and (b) you would've been more fun than the deadasses and cheapskates that made up a bit of the crowd. Before the show started, I saw one guy stop a couple from paying because they were "on the list" (new concert rule: if there are less than 50 people in the room and you are living above the poverty line, you're not on the list. There is no list; you're paying, dipshit. It's called supporting live music. Suck it up and pay for your tickets.). And then during Jason's set, when he asked for requests, it turned out that I was the only person in a room with at least a few Scorchers fans who remembered the names of any songs they did other than "Absolutely Sweet Marie." Well, that's not fair; one guy yelled out "Help! There's a Fire" after Jason said he was going to play something slow and spooky. Good timing, chief.

Nevertheless, I had a good time (and, though tempted to just keep yelling out my requests all night and thus make it my own personal show, I kept it to one request, the stone-cold classic and anthem during the college years, "Self-Sabotage"). And, by all accounts, the folks on stage and the sundry freeloaders and silent types had a fine time themselves. I wish the video I took came out better (too close to the speakers), but here it is if you like to listen to lots of distortion. Or, if not, there are always still photos.


    






7.10.2008

Ten Movie Character Names I Would Use If I Ever Had to Check Into a Hotel Under an Assumed Name

1. Emil Muzz
2. Todd Wilkinson
3. Vincent Antonelli
4. Pep Streebeck
5. Buck Russell
6. Del Griffith
7. Moses Hightower
8. Jack Hartounian
9. Barney Coopersmith
10. Henry Rowengartner

Congratulations if you know what movies those characters were in without checking IMDB (hint: the ten characters are from seven movies...and two names are the same character).

7.07.2008

Staying home will not be tolerated

There are two shows on Wednesday that Tinsel and Rot strongly suggests you attend. Maybe you don't have the admirable ambition we have and won't try to hit both shows, but attendance at at least one would be mandatory if we could think of some way to enforce that.

WEDNESDAY, 7/9: The Avett Brothers, 7 p.m., Stuyvesant High School, NYC, FREE
Alejandro Escovedo, 9 p.m., Highline Ballroom, NYC, $28



Two great bands, one great night. First up is Columbia/American recording artists the Avett Brothers, who revealed the other night that they have inked their first major-label deal and are working with the equally bearded Rick Rubin on their next CD. Badass. I have mentioned the Brothers many times here, so you likely already know that I think highly of them, more highly than any other band currently touring the country. So why not enjoy a nice evening by the water (UPDATE: show's been moved to the Stuyvesant High School auditorium, so why not enjoy a nice evening in a school assembly-type setting?) and see the Avetts before their current fanbase starts to hate you for jumping on the bandwagon late.



And then join me in a mad dash to get to the Highline Ballroom in time to see what I hope is at least the majority of Alejandro Escovedo's set. His new album, Real Animal, might be my favorite of the year so far, and his 40-minute set at the Electric Factory back in May was definitely my favorite live show I've seen this year (you can hear it here. Hear hear!). So I'm glad to have the chance to see him after the Avetts (and I apologize to AA Bondy, whom I would normally like to see but am now just glad will be doing an opening set so I can have more time to get to the Highline).

Seriously, if you stay home on Wednesday, I will be sad. If you go to the "Brooklyn regionals" of the Air Guitar Championships instead, well, I think you know how I'll feel.

No more burning bush

God is now communicating via t-shirt. And He's a touch snotty now.

7.02.2008

Dirtbombs!

Other Music has put up some songs from the Dirtbombs' kickass in-store performance earlier this year. Try to ignore the occasional shots of me and focus on the Dirtbombs. (If the player doesn't load on your browser, go here.)

7.01.2008

What I Liked About June

*Seeing Oliver Perez pitch well in the first trip to Shea this year
*Bottle Rockets/Eric Ambel and the Roscoe Trio/Apple Brothers, Mercury Lounge, NYC
*Meeting the original Mr. Met
*Hilby the Skinny German Juggle Boy vs. A Park Full of Rowdy Kids, Hoboken, NJ

*Tony the Dancing Machine on the Atlantic City boardwalk
*Carolina Chocolate Drops/Dixie Hummingbirds, Prospect Park, Brooklyn, NY
*Seeing ambidextrous Andy Venditte pitch, Staten Island, NY
*The long-awaited opening of Cafe La Rustique, Jersey City, NJ


*Waco Brothers/Chris Mills, Highline Ballroom, NYC
*Emmylou Harris, Union Square Barnes & Noble, NYC
*The Sadies, Madison Square Park, NYC
*The willingness of people with cars to drive me places

6.30.2008

The Tinsel and Rot Sirius Stiletto Top 20: June 2008

20. (15) Indivisible--The Dirtbombs#
19. (--) The Righteous Path--Drive By Truckers#
18. (7) Papa Was A Rolling Stone--Was (Not Was)#
17. (--) Norman--Sue Thompson*
16. (19) I Almost Killed You--Billy Bragg#
15. (12) Can You Feel It?--The Dynamites Featuring Charles Walker#
14. (--) Clean Up Your Own Backyard--Elvis Presley*
13. (11) Holes--Jon Dee Graham#
12. (6) Look Sharp!--Joe Jackson#
11. (1) Taking My Time To Get Back Home--Magpies#
10. (8) I Love A Rainy Night--Eddie Rabbitt*
9. (--) Is She Really Going Out With Him?--Joe Jackson*
8. (--) He's a Heartache (Lookin' for a Place to Happen)--Janie Fricke*
7. (2) Swept Away--Jon Dee Graham#
6. (--) The Beach Is Free--Billy Bragg#
5. (--) Deep Blue Sea--Otis Taylor (w/ Alvin Youngblood Hart)#
4. (3) The Little Lady Preacher--Tom T. Hall#
3. (--) Peanut Vendor--Terry Adams and Steve Ferguson#
2. (--) I Go to Work--Kool Moe Dee*
1. (--) October--Jon Dee Graham#

6.27.2008

William Zabka: Tinsel and Rot Hall of Famer

The name may not be familiar to most, but for any student of the teen films of the 1980s, William "Billy" Zabka is an undeniable legend. Perhaps even a god. And now he is a Tinsel and Rot Hall of Famer.

The New York-born Mr. Zabka's work in three '80s classics--"The Karate Kid," "Just One of the Guys," and "Back to School" (he was also in "National Lampoon's European Vacation," but not used to his best abilities)--earned him the distinction of being the quintessential jerk of modern cinema, the very embodiment of the fear and disgust felt by the unsung and unpopular at thousands of schools across America. Of the three, it is probably his turn as Johnny Lawrence in "The Karate Kid" that is most adored, and it's worth noting that that was his first film. A star right out of the box, surely something considered when the Tinsel and Rot Hall of Fame Board of Governors met to debate Mr. Zabka's induction into the Hall. And while we generally don't like to reward bullies here at Tinsel and Rot, we recognize that (a) Mr. Zabka was only playing a bully and (b) we would've been pretty pissed if the new kid stole Elisabeth Shue away, too.



Look how Zabka doesn't even say anything in that scene and he's still giving you that jerkoff vibe. Genius. And not only was it his first film, but dig this nugget from an online interview:

"For Johnny, I really was surprised that I got the part, because I didn't know karate. I never rode a motorcycle. The last thing I did before The Karate Kid was a milk commercial. I was just this nice young American kid."

As impressive as he was in pondering the inner debate to sweep or not to sweep and in revisiting the bully ouevre in "Just One of the Guys," Zabka truly hit his stride with his star turn as primo douchebag Chas in the stone-cold classic "Back to School." If "The Karate Kid" established Zabka as a force to be reckoned with, "Back to School" showed that force at peak perfomance--and, incidentally, he had to play off what may be one of the worst comedic acting performances of all time, turned in by Keith Gordon. Screw you, Melon, indeed.



Like any good champion, Zabka went out on top (or perhaps he couldn't get any more acting jobs...now is not the time for quibbling over minor details). He went on to do some TV, a few films, and some other things outside of acting, including writing and producing a short film (Most) that was nominated for an Academy Award in 2004.

And now, he is the latest inductee into the Tinsel and Rot Hall of Fame, Today, William Zabka, you are the best around.

Here's a YouTube homage, followed by the Web smash music video "Sweep the Leg" by No More Kings (directed by and starring Mr. Zabka).



6.26.2008

Ira Tucker RIP

Ira Tucker, the leader of the gospel group the Dixie Hummingbirds, died Tuesday at the age of 83. I discovered this while double-checking the directions to Prospect Park for tonight's Carolina Chocolate Drops/Dixie Hummingbirds show. The show will go on tonight (weather permitting), and the Hummingbirds will pay tribute to their fallen leader. And the end of the New York Times obit both makes me smile and breaks my heart:

"The day before he died, his son said, Mr. Tucker tried to sing and could not. So he said he was going to switch careers and become a comedian, and spent the rest of the day cracking jokes."

Go to Brooklyn tonight if you can and pay your respects. The Carolina Chocolate Drops are great, too. Showtime's 7:30 p.m.

6.24.2008

Twinkle, twinkle little stars

I have written many times of the glories of both Atlantic City itself and the always-entertaining travel to and from the City Where Dying Dreams Get a Proper Burial (like here, here, here, here, here, and, most recently, in video form (now fixed) here). But last Saturday's bus ride to AC may have featured the kookiest guy I've ever shared a bus with, the gentleman across the aisle who spent almost the entire trip on his cell phone.

Now, it wasn't merely the fact that he was on a cell phone for over two hours (with occasional welcome pauses when we hit dead zones on the Parkway) that made him kooky. It was what he was talking about that earned him the prize. His entire conversation was about astrology and its link to his day and, more importantly, its impact on which tournament (poker, I'm guessing) he should enter. Two hours. No joke.

The otherwise sane-looking gentleman (younger than me, I think) called his buddy asking him to run some astrological charts on whether he should enter the tournament at 7:15 or the one at 8. At first, I didn't realize that astrology was playing a role in the decision-making process; I initially thought his buddy was calling up a tournament roster or some other pertinent info about the events at hand. But that notion was dismissed when I started hearing phrases like "well, Capricorn's in retrograde" being bandied about, at which point I got completely distracted from doing work and became engrossed in the loony banter coming from across the aisle.

It was eventually decided that things looked better for the 7:15 tournament, but the conversation continued about all things astrological. When I heard particularly entertaining nonsense, I did my best to surreptitiously write down these pearls of wisdom. My two favorites were as follows:

"I just had my lunar return one or two hours ago." (This apparently was a good sign for tournament success.)

"As astrologists, we're privy to the objective truth about things." (I hope my jealousy didn't show.)

And there was too much BS going around to get these as exact quotes, but these capture the spirit of the thing:

"I want to live to, like, 100, or over 100, just so I can say I've been studying this for 80 years, and people will think I'm, like, the wisest guy ever."

"Plus, 'Capricorn' has 'Corp' in it, like in 'corporation,' so that's probably a good thing. Yeah, I just realized that now."

Somewhere along the way, things moved from irritating to entertaining, and I began ignoring my work and anxiously awaiting the next nugget (like that he has never been--and likely never will be--friends with a Virgo but that he always gotten along famously with Sagittariuses [Sagittarii?]). Then things came full circle at the end of the trip when he had his buddy run a chart on the bus trip, because we didn't hit any traffic, and he wanted to know the astrological rationale for that. At that point, my head was pounding, and I was ready to get off the bus. But I did wish that I could go to the 7:15 tournament at the Tropicana to see how things panned out.

Honestly, you really have to take a bus to Atlantic City at least once in your life. Just bring headphones in case it becomes too much to take.

Do Your Dance

Sometimes the timing's just right. Sometimes you're just where you need to be. Sometimes you're walking down the Atlantic City boardwalk and a 73-year-old man named Tony is dancing his ass off to Cameo's "Word Up."



Sometimes the world is beautiful.

(Note to anyone planning on inviting me to a wedding: Play "Word Up" and you're gonna get my version of Tony. Believe it.)

Another Atlantic City story coming up in the next day or so.

6.23.2008

George Carlin RIP

In the world of pop culture, some people are so consistent, so seemingly always there that their death catches you completely off guard. George Carlin, with his HBO specials and constant touring (in my four years in Ithaca, I saw him twice, and Ithaca isn't exactly a hotbed of comedy), was one of those guys, and when I saw the news of his death on the cover of the newspaper this morning, it didn't seem possible. Some celebrities you just assume will always be around, no matter how illogical that sounds.

People with a higher regard for stand-up than I can more easily debate Carlin's place among the all-time greats, but I always found him to be on point and pretty damn funny. When you heard his act, it was clear that he had rehearsed it and honed it to perfection, yet it always seemed fresh and completely unforced. The jokes were often so smart and well-crafted that even when you didn't necessarily agree with his viewpoint--and maybe even were in the crowd he was skewering--you still had to admire the craft and precision of his attack. And for a guy who delivered material that was as clever as it was funny, he never came off as pedantic or gave off a smarter-than-you vibe. He was a man of the people, saying the things you thought but could never say quite that way. I'm sure there will be stand-ups that will come along and be as funny or maybe even funnier than Carlin, but I doubt there will ever be another one quite like him.

Rest in peace, George.

6.22.2008

Nice Work, Stupid!

There is no segment of a TV newscast that I enjoy more than the investigative team socking it to someone taking advantage of the little guy. Nothing better than justice delivered by a hectoring reporter with a jones for facetime.

That said, maybe the investigative dogs should've been called off this hunt.



So, a really stupid woman figured that clicking on a Weblink that said "best seats" surely must be a link to the venue box office. Then when the price came up, I don't know, I guess she wasn't paying attention. So she calls up the local news, who, for some reason, are roused to action to combat this new, dangerous scourge of ticket scalping. Next thing you know, she gets her money back, plus a front-row seat from the venue and a personal meeting with Emmylou Harris.

Should we really be rewarding this sort of person? Wouldn't it have made more sense for the news to send over someone to smack her in the head and say, "Nice work, stupid"? (By the way, I'm copyrighting that idea and pitching it to the local news outlets as a recurring feature.) I'm all for looking out for the little (wo)man, but, really, there comes a point where you just have to accept your own stupidity. And for the woman in question, who seems perfectly nice, that time should've been now.

Also, glad there's nothing going on in the northern Virginia area that is of more investigative importance than this. Very comforting.

And kudos to the reporter for the first known utterance of the phrase "Emmylou doesn't exactly spray."

6.20.2008

The two stupidest things I've ever heard in a baseball stadium

Uttered in rapid succession by, predictably, a Yankee fan at Yankee Stadium after a Padre struck out, 6/18/08:

"Yeeeeah! That's a K! Like YMCA!"

"Yeeeeeeeeah! That's K! The opposite of gay! K!"

He was on a roll, though, and made a game in the Seat of All Evil that kicked off with an hour rain delay entertaining. He found his niche by responding to every Padre fan's attempt to talk to him with a Ric Flair-esque "Whoooooooooo!" Which he did about 100 times. And that's a conservative estimate.



Also, a note to any homosexual gentlemen planning on attending a Yankees game: Might be best if you splurged for the better seats. You're probably not going to enjoy the repartee in the upper level. Just saying.

6.16.2008

I Want My DVD: Vol. 3

I spent the better part of Saturday afternoon hanging out with doo wop aficionados in a parking lot at the Izod Center. I aint bragging, just saying. I was there in the vain hope that King of the Falsetto Lou Christie and/or my favorite Hank Williams Sr. interpreter (not really, but it's not worth going into) B.J. Thomas would be signing autographs as part of the preshow festivities for the yearly Richard Nader doo wop spectacular. Neither did, so to at least partially justify heading out to the swamplands, I grabbed autographs from Sonny Geraci (lead vocalist on "Precious and Few" and "Time Won't Let Me"), Mel Carter ("Hold Me, Thrill Me, Kiss Me"), and Eugene Pitt and the Jive Five.

I knew the least about Eugene Pitt, but I knew one of the songs mentioned in the program ("I'm A Happy Man"), so I figured I might as well get the autograph. Later research done after I arrived home confirmed that I also knew their big hit ("My True Story") and that I didn't know a hugely important fact about Eugene Pitt and the Jive Five. They were responsible for the "Nick-Nick-Nick-Nick-Ni-Nick-Nick-Nick-Nickelodeon" jingle that aired all throughout my formative years on Nickelodeon--the days of "Double Dare," "Don't Just Sit There,""Nick Rocks," the aforementioned "Fifteen" (still no DVD), and, of course, the greatest of all Nickelodeon shows, and the subject of this edition of "I Want My DVD," "You Can't Do That on Television."

Unlike "Fifteen," which, admittedly, didn't have an extremely large fanbase, "You Can't Do That on Television" was adored--or, at the very least, viewed and tolerated--by every kid worth knowing in the mid- to late 1980s. And everyone had their favorite cast member, whether it be Christine "Moose" McGlade, Alasdair Gillis, Lisa Ruddy, Kevin Kubusheskie, Doug Ptolemy, or maybe even Barth (anyone who says Alanis Morissette was his/her favorite is just trying to be cool...do not trust said person). Then there were the firing squad skits, the Blip's Arkaid bits, and the sliming and watering. And, of course, there was that undeniable theme song.



I should note that I am under no impression that I would actually find great artistic merit in the episodes of "You Can't Do That on Television" that would appear on any DVD. I accept that the show would almost certainly not be as cool as I remember it being, but, well, nothing is really as cool as I remember it being when I was in grammar school (except that ball going through Bill Buckner's legs; that's timeless). I just want my DVD of "You Can't Do That on Televison." And if it's too much to ask to put the whole series on DVD, how about a Nickelodeon Best of the Glory Days DVD with some episodes of "You Can't Do That on Television," "Double Dare," "Fifteen," and the like? I know that would sell. What are we waiting for, DVD makers of America (and Canada)?

In the meantime, here's a Locker Jokes segment, Moose getting slimed repeatedly, and a call for support for SlimeCon 2009 (which Tinsel and Rot firmly endorses):





6.11.2008

Breaking News: One of My Nightmares Soon to Come to Life

I received the following in an e-mail last night:

***
On behalf of our partner site, StarFlowEntertainment.com, you have the opportunity to see Kenny Chesney perform LIVE!!

Here's your chance to be part of an intimate live taping for the NBC Macy's 4th of July Fireworks Spectacular.

Kenny will be performing one song, several times for this PRE-TAPE, that will AIR on NBC's July 4th television special!.
***

The phrase "Kenny will be performing one song, several times" is the scariest thing I've ever read.

Interestingly enough, I will miss the opportunity to see said nightmare in the flesh because I will be seeing Emmylou Harris, who will be, I assume, performing several songs, once, at the Union Square Barnes & Noble.

6.09.2008

In the Garden

I posted this on The Palm Isle, which, if you ever read it, you're certainly not reading in the off-season. So, I figured I'd cross-post it here. You're welcome:

I was reading a story in the New York Post Page Six magazine (keeping track of Sean Avery's whereabouts)about the multimillionaire in charge of granting medallions to NYC cabdrivers when I came across an interesting nugget. The main crux of the story was that the guy has his own box right above the players' entrance for every event in Madison Square Garden. Yes, every event--Rangers games, Knicks games, concerts, circuses, Ice Capades (they don't still have the Ice Capades, do they? I'm old), whatever he wants. That's how life is when your born into a ridiculously lucrative line of work. Must be nice.

Anyway, back to that interesting nugget. Check this out:

"When MSG offered to put leather captain's chairs in the box, he said no. 'It was too showy.' When they suggested turning his area into a jury box during hockey games by putting a spotlight on the seats and asking his section to give a thumbs up or down on whether or not to pull the goalie, he said, 'No, I don't think fans should be making those decisions.' It's hard to say what's more jaw-dropping. That MSG offered, or that he turned it down."

Seriously? The offer was on the table to have this douche and whomever he brought to the game decide if the Rangers should pull their goalie? That has to be a joke. I would say that the reporter should have confirmed this story with the Garden, but it's the Post (and a ridiculously vapid offshoot of the main paper at that), so that's asking too much. But if this is, in fact, true, it might just represent a new low for the Rangers, or at least a low not seen since the Sassoon days. I'm trying to imagine a stoppage in play with a minute left in the game and the classless baboons in the stands at the Garden turning their eyes to the spotlight that shines on a multimillionaire and his clients who will dictate the team's strategy for the rest of the game.

Oh, how I wish the guy agreed to do it.

6.08.2008

Why I Love New York City (Vol. 236,731)

This is what I did on a sweltering Saturday in Manhattan (or, as I like to call it, the other side of Jersey City:

I took the PATH train in around 2 p.m. after actually waking up and being active before noon on a Saturday (two weekends in a row spent with friends with early-rising children has opened up the possibility that things can get done before noon on weekends). On my way to the Housing Works book fair, I spot a guy sitting behind a card table outside a store on Bleecker. He's reading a newspaper, and there are three copies of a book displayed on the table. I glance over and see orange and the words "Mr. Met." Focused on getting to the book fair, I keep walking up the street before I come to my senses and head back.

Hot damn. The original "Mr. Met" is signing copies of his book. That's right--the first Mr. Met, the man who first put on the oversized, somewhat frightening baseball head back in 1964. Seriously, what other city are you gonna find a guy like that selling books in front of some kind of pharmacy? Does the original Phillie Phanatic park himself outside of Geno's? Doubt it.

Anyway, I chat up Mr. Met (Dan Reilly) and pick up the book. I soon notice that Mr. Reilly is a fellow iUniverse author, which clinches the sale. And not only did I get my own personally inscribed book, but I also got a bonus signed photocopy of a photo of Reilly with the original Mr. Met head. Awesome.

I am on a high once I get to the actual book fair, and that high continues when I find a 1999 Rock and Roll Hall of Fame program lying on top of a box at the fair. It was a pretty good year for the Hall, with Bruce Springsteen. Billy Joel (screw you, haters), Bob Wills, and Paul McCartney among the inductees. But better yet, the program cover was designed by personal hero Jon Langford. And it was a buck. Score! I also picked up some Erle Stanley Gardner paperbacks, an Ian Frazier book, a Dick Butkus autobiography, and a few records. Fourteen items: $10 total. And the money went to a good cause.

I was running a little late to the Big Apple BBQ in Madison Square Park, but I got there just in time for the start of the Wild Magnolias' set and was able to squeeze in some pulled pork (something sounds really bad about that, but I'm leaving it) as I took in the Magnolias' set. Good times. And God bless the spyboys for their willingness to wear their garb and give it their all in 90-degree heat.



After ducking into a bar to not see horse racing history, I decided to walk to the Mercury Lounge, where the Bottle Rockets were doing the fourth in their series of 15 shows to celebrate their fifteenth anniversary as a band (with Eric Ambel and the Roscoe Trio directly preceding them on the stage). But I got sidetracked in Union Square by a pretty cool brass band doing the Isley Brothers' "Shout" (lest you think they were doing Tears for Fears's "Shout") and "Charlie Brown," among other numbers. I stuck around for about 20 minutes and didn't feel much like leaving but had to continue the journey to the Mercury Lounge so I could get there early enough to get good photo position (which, as often happens when I plan that, was about an hour earlier than I needed to be there).



After a pretty good set from the Apple Brothers and a damn fine set from Ambel and the Roscoe Trio, it was time for the main event. And the Bottle Rockets came through with a kickass set, which though it didn't include any of my three favorite Bottle Rockets songs, was still amazing. They played somewhere around 30 songs for a little over two hours, but by the time it ended with a completely incongruous and dead solid perfect cover of Redbone's "Come and Get Your Love," it was still over too soon.



On my walk back to the PATH station, it occurred to me that over the course of about 12 hours, I had sat for a total of maybe 15 minutes. And my back and legs were feeling that a bit. But it didn't feel that bad. After all, in that half-day, I had stumbled upon the original Mr. Met, picked up some cool books and records, ate some good barbecue, and heard a bunch of great music, including a two-hour set from one of my all-time favorite bands.

Thank you, New York.

6.05.2008

Hey, Douchebag (Vol. 2)

This has annoyed me before--and will continue to annoy me until it ceases to happen--but, seriously, you people who sold out the 550-capacity Bowery Ballroom on Tuesday night for the US Air Guitar Championships are all giant douchebags. Every last one of you. I don't care if you were there to support your friend. Your friend's an even bigger douchebag and it's time he or she knew that. If you were there to see the metal tribute to the Bee Gees, I suppose I could let that slide, as they at least play actual music. But I'm leaning toward douchebag. Sorry.

Tuesday night I went to see one of the best live bands I've ever seen--the fabulous Waco Brothers--play to a decent-sized crowd that was not near a sellout in a venue almost comparable in size to the Bowery Ballroom. Yes, the Waco Brothers kicked ass for about two hours, playing real songs real fast and real well. But I guess that would''ve been too much for you, to reward people with musical passion instead of a douchebag organization that celebrates the simulation of passion.

Look, I don't care if you want to win the Air Guitar Championship. Good for you, sport. Best of luck. But to want to watch people play air guitar and pay money for the privilege? Nope, that's something only a douchebag can do. And it's the height of douchebaggery to make the conscious decision to head out on a Tuesday night to watch morons play air guitar in a city where dozens of bands are playing actual instruments and playing their actual hearts out for little to no money and small to nonexistent crowds. Every time I try to get someone to go see a good band on a weeknight, I get the whole "Oh, not on a school night" excuse, but somehow you and more than 500 of your douchebag peers were willing to go out on a school night to see douchebags act like douchebags? And pay for it? As the kids say, WTF?

Is this what the future will be like? Will we all hand over our money and stand slackjawed while douchebags play air guitar, or Guitar Hero, or Rock Band, or whatever the latest simulation of actual art and entertainment is? Really?

On the bright side, the Waco Brothers were awesome. You should've been there. Douchebag.

6.02.2008

Bo Diddley RIP


Bo Diddley passed away Monday at the age of 79.

Ellas Otha Bates didn't really invent the Bo Diddley beat, but he sure as hell brought it to a lot of ears and other more mobile parts of the body. And he stands tall among the early pioneers of rock and roll, with the Bo Diddley beat providing countless bands with inspiration. Unfortunately, for all that, he probably got his biggest payday from Nike and not Chess Records. And that's why it's hard to shed too many tears for the decline of the record business.

"Who Do You Love?" was probably the first Bo song I fell in love with, wearing out the "La Bamba" soundtrack cassette I had it on. But there are plenty other great ones he can claim credit for, including "I'm a Man," "You Can't Judge A Book By The Cover," and, I just learned today, the Mickey and Sylvia hit (likely best remembered for its appearance in "Dirty Dancing") "Love Is Strange." I also learned that he was one of the first of the early rock and rollers to have women in his band, including rhythm guitarist Norma-Jean "The Duchess" Wofford, seen in the clip below. Pretty badass.



Yessir, Bo Diddley was a gunslinger. He'll be missed, but he leaves behind that beat.

RIP, Bo.

6.01.2008

What I Liked About May

*Cooperstown Weekend 2008
*Playtime with friends' kids, Vestal, NY, and Wilmington, DE
*Von Hayes bumping two umpires, Newark, NJ
*Matthew Ryan vs. the Silver State/Jon Dee Graham, Living Room, NYC



*Was (Not Was)/Todd Snider, Blender Theater, NYC
*The square pie at Adrienne's Pizzabar, NYC
*Alejandro Escovedo, Electric Factory, Philadelphia, PA
*The Flying Monkey cupcake, Reading Terminal Market, Philadelphia, PA


*Breakfast at Sweet Sue's, Phoenicia, NY
*New Jersey Hall of Fame Induction Ceremony, NJPAC, Newark, NJ
*Chiller Theatre, Parsippany, NJ
*The willingness of people with cars to drive me places

5.30.2008

Harvey Korman RIP

Harvey Korman died Thursday at the age of 81.

There is no way that the family history could be written without mentioning Harvey Korman (and, of course, Tim Conway). My parents were avid watchers of "The Carol Burnett Show," and, by default, so were me and my sister. I was never a superfan of the show, but I would pay a little closer attention when Harvey Korman and Tim Conway were in a sketch. And, as the years went on, I became a bigger and bigger fan of the show until I finally had to admit that my parents were on to something (the same eventually happened with "Fawlty Towers"). And that's why a few years ago I was actually kind of excited to see Korman and Conway live at the State Theater in New Brunswick. It ended up being a little less than great, but it was worth it to see the pair do the famous dentist sketch live.



I guess it's easy to take issue with the fact that Korman cracked up too much, but, unlike Jimmy Fallon, whose crackups were frequently at things that weren't all that funny and therefore frequently seemed disingenuous, Korman's outbursts always seemed to come right from the gut. And they always made my mom and dad laugh right along.

Of course, Korman also made a name for himself in Mel Brooks's movies, most memorably in our household as Count de Monet in "HIstory of the World Part I." It was in this movie that he utttered the Korman line most quoted around the house: "You look like the piss boy" (6:43 in in the clip below):



So, rest in peace, Harvey Korman. Thanks (from the whole family) for the laughs.

5.29.2008

The Tinsel and Rot Sirius Stiletto Top 20: May 2008

20. (--) Squaws Along the Yukon--Hank Thompson*
19. (--) I Almost Killed You--Billy Bragg#
18. (14) Keep Me from Blowin' Away--Willie Nelson#
17. (15) See the Elephant--James McMurtry#
16. (--) Gone, Gone, Gone--Robert Plant and Alison Krauss*
15. (--) Indivisible--The Dirtbombs#
14. (--) Oil Man's War--Kathleen Edwards#
13. (17) We Didn't See A Thing--George Jones and Ray Charles*
12. (--) Can You Feel It?--The Dynamites Featuring Charles Walker#
11. (--) Holes--Jon Dee Graham#
10. (9) Wreck My Flow--The Dirtbombs#
9. (3) Apache--Sugar Hill Gang*
8. (4) I Love A Rainy Night--Eddie Rabbitt*
7. (2) Papa Was a Rolling Stone--Was (Not Was)#
6. (--) Look Sharp!--Joe Jackson#
5. (--) Frosty--Albert Collins#
4. (1) Rigor Mortis--Wussy#
3. (7) The Little Lady Preacher--Tom T. Hall#
2. (--) Swept Away--Jon Dee Graham#
1. (--) Taking My Time To Get Back Home--Magpies#

#-imported into Stiletto
*-recorded from Sirius
Number in parentheses indicates song's position in last month's chart; (--) means song is debuting on chart this month

5.27.2008

Shel Silverstein: Tinsel and Rot Hall of Famer

I usually like to throw some good YouTube clips up when inducting a new Tinsel and Rot Hall of Famer, but I've run into some hard times trying to find good footage of this month's inductee, the multitalented, undeniably awesome author/illustrator/playwright/songwriter/singer/avid walker (always an admired attribute here at T&R) Shel Silverstein. And, while that's slightly frustrating, I think the fact that he has successfully avoided being spotlighted on YouTube may be a true indication of his genius, along with the fact that even while among the living, he didn't seek out the limelight or grant too many interviews. He preferred to let the work speak for itself. And it still does.

Silverstein is best known for his children's books, particularly The Giving Tree and A Light in the Attic, but never really set out to write books for kids. He started out drawing for Stars and Stripes while in the military before becoming an illustrator for Playboy, where he started to get noticed by the masses, or as noticed as a cartoonist in Playboy can get. Silverstein made the natural transition from Playboy cartoonist to children's book author/illustrator only after a friend convinced him that was the way to go. And that probably speaks to why Silverstein's books are so beloved; he didn't pander or dumb down his work for kids. He just wrote what came naturally and figured kids might like it. Seems like that worked out.

Lest you think we are inducting Silverstein solely for his reputation amongst children, thus leading up to the inevitable induction of the Berenstain Bears (still not out of the realm of possibility), Tinsel and Rot truly reveres Silverstein for his songwriting career, which featured "A Boy Named Sue" and "25 Minutes To Go" for Johnny Cash, "One's on the Way" and "Hey Loretta" for Loretta Lynn, an album's worth of gems at the end of his life for the Old Dogs (Bobby Bare, Mel Tillis, Jerry Reed, and Waylon Jennings), and too many great songs to mention for both Bare (for starters, just get the "Bobby Bare Sings Lullabys, Legends, and Lies" album) and Dr. Hook and the Medicine Show. I started listening to Dr. Hook because Kinky Friedman said "The Cover of the Rolling Stone" and "Sylvia's Mother" were his two favorite songs. After listening to those songs for a few months (including "Sylvia's Mutter," a cover in German by Jonny Hill), I finally realized that the guy who wrote those kids' books also wrote those songs. And then I realized that he wrote almost all of the early Dr. Hook songs, none of which are clunkers. I'm very embarrassed that I submitted a list of the top 50 rock songs of all time and didn't include one Shel Silverstein song, but I'm particularly bummed that I didn't include "Carry Me, Carrie." Here are the exceedingly handsome men (who came together not all that far from where I write this) of Dr. Hook and the Medicine Show performing the song:



Plenty of other Dr. Hook/Silverstein songs on YouTube, but I don't want you to think I'm inducting Dr. Hook and the Medicine Show. At least not yet. They're gonna get in before the Berenstain Bears, though.

Anyway, back to the inductee. Aside from the books and the songs, Silverstein also dabbled in playwriting and, by most accounts, was quite the ladies man, which, when you look at him, has to be considered impressive as well. But good for him. Based strictly on his published output, he deserved as many ladies as he wanted. And more respect for his songwriting, for sure. Luckily the Bobby Bares (Junior and Senior) are reportedly at work on a tribute record, so maybe that will be rectified before too long.

But Tinsel and Rot doesn't want to wait until then to induct him into the Tinsel and Rot Hall of Fame. So, welcome, Shel. You've earned it.

Here's the best YouTube clip of Shel in action: a quick, shaky clip of Shel and Johnny Cash on the latter's TV show:

5.20.2008

No Depression, In Heaven



I can remember the conversation pretty well.

My friend and I were on our way back from a wildlife and game expo in central New York. She was there to take photos; I was there merely for the life experience and to take stock of the exhibitors and devotees that attend a wildlife and game expo. After an hour or so of looking at the best taxidermy the central New York region could offer and doing our best not to laugh during the hunting dog seminar when the moderator said, "And then I had to put my black bitch down," we headed back to campus.

It was toward the end of my senior year, so the conversation inevitably went to "So, what are you gonna do with your life?" (She probably put it more tactfully.) I had some thoughts, some vague ideas about writing for a newspaper or, preferably, some kind of music magazine. But, really, when it came right down to it, I had only one magazine in mind.

"I just want to write for No Depression," I said. "That's pretty much it."

***

I bought my first issue of No Depression (Issue #6, Jason Ringenberg on the cover) at Rhino Records in New Paltz, New York. If my mom took the long way home from our upstate condo because she wanted to avoid thruway traffic, I would try to get her to stop at Rhino, for no other reason than I thought the store was somehow affiliated with Rhino Records, which seemed like a cool label, and they had tapes that I couldn't find on Staten Island. So, one day, I was browsing through their small selection of magazines and I came across No Depression. There were stories about people I thought no one else knew. There was the cover story on Jason and the Scorchers, whose music I probably didn't know that well at the time but liked their name enough to want to know more; a story on Steve Forbert, whom I had heard a little while back at a live taping of "Late Night with Conan O'Brien;" and a review of a Pete Droge and the Sinners show, a band I had tried convincing one of my freshman-year roommates was way better than the band they opened for at Cornell (Live...and that's still true, by the way). That was enough to sell me.

A few trips later, I picked up Issues #9 (illustrated Brian Henneman and Rhett Miller--in the good old glasses days--on the cover) and #10 (Whiskeytown). I eventually found someplace closer to home that carried the magazine and, to the best of my recollection, haven't missed an issue since (looking at the covers on the website, one looks a little unfamiliar, but I just can't believe I might've missed an issue).

My personal favorite issue remains Issue #18 (Golden Smog illustration on the cover). And that's because that's where my byline appeared in No Depression for the first time. As it turned out, it wasn't all that hard to write for No Depression. I basically e-mailed the editors with a list of shows and CDs I could review and asked if they'd be interested. One of the editors, Peter Blackstock, e-mailed me back and said if I wanted to review the Los Super Seven show, I could. And I did. Voila. I was a No Depression writer. It was awesome, even if it only meant something to me and maybe two of my friends. And when I got that first check--the first check I ever got for writing something (unless you count the small amounts of money occasionally given to me as a college newspaper editor, which was more like pity money than anything else)--there was that sense that everything was perfect and absolutely nothing was impossible. Turns out neither of those things was entirely true, but it was nice to have that feeling. And I still have (a photocopy of) that paycheck that I will always treasure.

My No Depression writing career was not as storied as it could have been, mainly because my ambition has never been quite as strong as it could be and I eventually just sort of lost the music writing bug. But they let me review a bunch of shows and CDs, pen a profile of Will Kimbrough (which I still wish I could redo), and write a tribute to Rick Danko that might be my favorite thing I've ever written. And not only did I get paid for writing, but I also got a free subscription (that probably ran longer than it should have, for which I now feel vaguely guilty). It was a good ride.

And now, long after my ride as a No Depression writer ended, the magazine itself has reached the end of the line. Money got tight with the decline in the music industry and, subsequently, the money spent on advertising, so the editors decided to stop printing after Issue #75 (Buddy Miller on the cover, on newsstands now). They will continue online and will publish a bookazine a couple times a year to publish more in-depth pieces. So, they'll still be around. But the No Depression I was determined to write for is now history.

All things come to an end, I guess, but I wish ND could've gone on forever. At least I have that old paycheck, some clips to look back on, dozens of CDs I never would've even known about if not for the magazine, and what I like to think of as the world's largest collection of signed No Depression covers (20, I think, including the four above). So, that's something. Not enough, but something.

Farewell, No Depression. Thanks for the memories. Thanks for showing me that there were people who truly cared about the music I loved. And thanks for letting me be a teeny tiny part of the legacy you leave behind.

5.19.2008

Rollin', rollin', rollin'

Sorry for the lack of posts; I've been proofreading a book about teenage vampires. You know how it is.

Anyway, one of my friends from college was on SportsCenter yesterday, winning lots of money for the prescient staffers at the college newspaper who picked her in the office "who will be the first of us to be featured in a segment on SportsCenter?" pool. The story's on the resurgence of roller derby across America, and my friend (Lauren) is both a chronicler and a participant (her blog's listed over on the right). I'm still upset that the new breed doesn't go for the fake--whoops, "sports entertainment"-- banked-track, Los Angeles Thunderbirds-style that reached its end with the fantastic "Wall of Death" on the RollerGames show (which spawned a Nintendo game that I played endlessly), but Tinsel and Rot digs the empowering nature of the modern-day roller derby and is a firm proponent of such empowerment.

Anyway, here's the segment:






5.13.2008

Hey, Douchebag (Vol. 1)

T&R headquarters recently realized that we don't share nearly enough random, unsolicited opinions on this here blog. So, before we are shut down by the Blog Police due to lack of unnecessary vitriol, we decided to start this "Hey, Douchebag" series. Enjoy. Or don't.

Last Thursday's New York Post featured what, by my calculations, was the bajillionth article about the emergence of Jersey City (or at least the Jersey City waterfront) as a prime real estate market. Almost every article mentions the same condo developments and invariably features a quote from someone whom I immediately want to find and welcome to the city with a hard kick to the nuts. The gentleman who fits that bill in the Post article delivers the following:

"I invariably say I live in New York City. That's when they pry, and they say, 'Where in Manhattan?'...'Well, it's not exactly Manhattan,' I say. 'It's the other side of Manhattan.'"

Hey, douchebag: If you can't bring yourself to tell your pals, "I live in Jersey City," and you're so ashamed to say you live in New Jersey, get out! Immediately. I don't want you in Jersey City. I don't even want you in the state of New Jersey. I will begrudgingly let you live in one of the other 49 states, only out of a sense of fairness I have developed living in this state. So, go infest some other up-and-coming area with your yuppie douchebaggery, buy a condo, contribute absolutely nothing to the surrounding community, then sell your condo for a profit (the only thing your dark, soulless existence thrives on), and start the cycle somewhere else. Surely there is someplace else where you can spend $700,000 on a two-bedroom condo.

Your whole life is based on creepy, real estate-speak like "appreciation in value" and "long-term investment." Later on in the article, you mention how excited you are that your development is eventually going to be "a completely planned neighborhood." Real estate developers can't make a neighborhood, douchebag. Sure, they can build a Starbucks and a Duane Reade and a bank branch, but they can't make a neighborhood. People do that. Ordinary, everyday people who bond over civic pride and a shared sense of the importance of community. Maybe you've heard of them.

So, enjoy your view from "the other side of Manhattan." And say hello to the rest of the douchebags in your development. I hope your investment appreciates real soon so you can go live in the actual Manhattan and stop poisoning Jersey City.

5.11.2008

Think before you post

First things first: If I were a parent of a child of blogging age, I would likely do everything I could to discourage my child from blogging. There are far too many creepy people out there (though not you fair T&R reader) for young children to be throwing personal information out there into cyberspace. The Internet is often a disturbing place.

That said, this PSA makes me laugh more than anything:



It makes me laugh because I generally think of blogging as something done by 30-year-olds (who should also think before they post) desperate for the world to hear their opinions and not something that teenagers do. It also makes me laugh because the movie ticket taker steals the show, somehow managing to top the tattoo-loving football coach. Nice work, pal. Hope that one makes it to your audition reel.

5.08.2008

Glory Days

When I first read the article in the Star-Ledger about the upcoming New Jersey Hall of Fame ceremony and realized I had the afternoon/evening free, I figured it would be something interesting enough to write a blog entry about. Despite organizers' claims that most, if not all, the living inductees would attend, I assumed that was a longshot. There was probably a good chance that Buzz Aldrin and Norman Schwarzkopf would show, but Bruce Springsteen and Meryl Streep seemed far less likely to accept their awards in person (well, I was right about one). Still it seemed like a good way to spend an evening, and at $23 for a ticket in the fourth tier of the New Jersey Performing Arts Center in Newark, it was a fairly cheap night out, too. Plus I might learn something about the inductees and I'm a big fan of learning.

So, after an early afternoon stop at the Hoboken Arts and Music Festival, I headed over to NJPAC for the red carpet arrivals. I got there about 45 minutes before the arrivals were supposed to start, but that worked out fine because as I got there, so did Buzz Aldrin and Toni Morrison, so I got a good spot and started snapping away.

It wasn't a very star-studded red carpet, but that suits New Jersey just fine. And speaking of "suits" (killer segway), I realized when I got there that I was severely underdressed. Luckily, I wasn't wearing my standard band t-shirt, but I was the only person wearing jeans that I could see. Eventually, I would spot a few others, and when I did, I felt they we shared a bond--a Jersey bond, a working-class kind of thing. Even if I felt like dressing up, it just wouldn't have seemed right to get all gussied up for the New Jersey Hall of Fame. Plus I was sitting in the first seat of the last row in NJPAC, so once I got in, there was precious little chance that anyone would see what I was wearing anyway.

But enough about my wardrobe, let's get to some red carpet photos.

Buzz Aldrin (or, as one snazzily dressed patron of the arts called him, "Buzz Aldrich")


Yogi Berra and the never-ending Yogi entourage


Nancy Sinatra


H. Norman Schwarzkopf


Former New York Football Giant Harry Carson, who, along with Rutgers football coach Greg Schiano, inducted Vince Lombardi into the Hall


That was about as exciting as it got, though I also have pictures of Mary Higgins Clark, Emme, and Newark Mayor Cory Booker if you're interested. Everybody was looking to see Bruce, but most realized that if he did show up, it was pretty unlikely that he'd walk the red carpet.

And that set the stage for the introduction of the inductees inside NJPAC, after a short montage of Jersey sights that were sporadically and somewhat inexplicably applauded (I get cheering for photos or clips of the inductees, but it seemed a little odd to be cheering for inanimate objects like the facade of Caesars Palace and Lucy the Elephant). The inductees (and those representing the deceased) walked onto the stage in darkness and were announced individually and given a spotlight. At that point, I wasn't even really thinking about Bruce showing up, until they got about halfway through and I noticed a guy all the way at the end who kinda looked like Bruce. Then they announced him, and the people dressed in jeans erupted (I couldn't see what the ground floor was doing, but I suppose they were pleased, too). The "Broooce" chants (always just a little annoying, particularly at events such as this that aren't solely focused on him) inevitably followed. For balance, some people shouted "Yogi!" and some screamed out Sinatra's name. I thought of screaming "Wizard of Menlo Park!" but thought better of it. For the record, though, Edison was my favorite inductee.

It occurs to me that I haven't mentioned the entire inaugural class, so now's as good a time as any: Albert Einstein, Thomas Edison, Clara Barton, Harriet Tubman, Robert Wood Johnson, Vince Lombardi, Malcolm Forbes, Frank Sinatra, Yogi Berra, Buzz Aldrin, Toni Morrison, and Bruce Springsteen (Meryl Streep and Bill Bradley were also inducted, but both wanted to appear in person to receive the honor, so they postponed their induction to another time...but it should be noted that Meryl Streep attended a Broadway play opening on the night of the NJHOF ceremony, so I'm pretty sure she could've been at NJPAC). Not a bad class, but I would've thrown Walt Whitman in there. For reasons I don't quite get, he was placed in the "History" category (with Barton, Edison, Einstein, and fellow loser Woodrow Wilson) rather than "Arts and Entertainment" (where he could've gotten in over that ungrateful witch Streep) or even the "General" category, where he surely could've knocked out Harriet Tubman. Nothing against her (it's hard to argue against Harriet Tubman's contribution to humanity), but she barely lived in New Jersey, using Cape May as a base for the Underground Railroad for a short while. The Hall of Fame even waived the already flimsy requirement that you only need to have lived in New Jersey for five years to qualify for induction for Tubman. On the bright side, however, in about seven months I will be eligible for the New Jersey Hall of Fame, which means I better start getting my speech ready.

Most of the speeches—both the inductions and the acceptance speeches—were pretty brief throughout the ceremony, so everything moved along quickly. Teaneck's own Phoebe Snow sang a few songs in between the speeches, which was a pleasant surprise (if you are not moved by the sound of her voice, I would rather not know you), and house band La Bamba and the Hubcaps did a good job backing her up and providing some musical segues for the speeches (Edison's induction, for instance, was followed by a few bars of "You Light Up My Life").

And then something happened. From stage left came a man universally associated with New Jersey. He said a few words to the crowd, picked up his guitar, and launched into song.

Yessir, Joe Piscopo was singing.



Man, that was a whole bucketful of not good. Be glad I didn't shoot video. It brought a pleasant evening to a sudden halt. But it was over soon enough. Afterward, I concocted a scenario in my head. Since the organizers didn't think Bruce was going to show, they needed to find someone else to induct Frank Sinatra. "How about Piscopo?" someone suggested. Phone calls were made, Piscopo was miraculously available, and plans were established. Then it's Sunday and Bruce shows up with some words he's prepared for Sinatra's induction. It is then an intern's job to break the news to Piscopo. "Mr. Piscopo, there's been a change of plans—Bruce showed up," the intern said. "You can go home if you want." Outraged, Piscopo finds one of the event organizers and unleashes a torrent of verbal abuse. The beleaguered organizer cries uncle and asks Piscopo, "What if we let you sing a song?" Piscopo, angry but assuaged, agrees. All is well.

I can't imagine it not going that way.

Anyway, Bruce inducted Sinatra with a so-so speech, and then Danny DeVito came out to induct Bruce. After making a big show of adjusting the mic to his level, DeVito launched into a long, somewhat rambling speech about the importance of Bruce. Then Bruce came out to accept the honor and gave a pretty kickass speech that ended with a benediction for New Jersey, which I feel like carrying in my wallet. I'm not a born Jersey boy, but as a native Staten Islander, I feel like I might as well be (particularly since I was geographically closer to Jersey than I was to Manhattan). And Bruce's benediction captured pretty well what it's like to be the perennial black sheep/underdog, which could apply in equal parts to Jersey and Staten Island. (Yes, the quality of the video isn't great, but considering I was shooting from the last row, I think it's quite good.)



And then Bruce joined the band on guitar for a cover of Sam and Dave's "I Thank You" before stepping up to the mic for "Glory Days," the second half of which (captured below) featured DeVito on backing vocals and air guitar, which is something I reckon I will never see again.



It was, like most nights, a good night to be in New Jersey.

5.06.2008

The Return of Chiller


Susan Olsen cancelled her Chiller appearance a few days before, dashing my hopes of meeting my sixth member of the "Brady Bunch" checkerboard (Keeping score at home? Why? OK, I'll tell you--Barry "Greg" Williams, Chris "Peter" Knight, Florence "Carol" Henderson, Ann B. "Alice" Davis, Maureen "Marcia" McCormick. And, lest we forget, I've also met Robbie "Cousin Oliver" Rist. Express your jealousy in the Comments section.) I debated not going. But like the great intrepid explorers that preceded me, I decided to persevere and sally forth to the Chiller Theatre Spring 2008 Toy, Model, and Film Expo with a largely empty messenger bag, $100 to spend, and a poster tube packed tight with a "Short Circuit 2" poster. (Attach your further jealousy to your previous comment about my storied career meeting "Brady Bunch" cast members.)

That "Short Circuit 2" poster (with its awesome tagline: "Some say he's nuts. Some say he's bolts. But can Number Five make it in the big, bad city? Keep your wires crossed.") was originally obtained, I can only assume, during a particularly boring time in my life where I had too much money and spent too much time on eBay. I would've guessed that the first signature I'd get on it would be Fisher Stevens's, since he lives in NYC and does stage work every now and then. But, no, dear reader. The first signature on that poster is from Cynthia Gibb, who of course played Ben's love interest Sandy in the unforgettable sequel that will no doubt be remade soon after the forthcoming remake of the original wraps.

When I approached her table, Gibb wanted to know which poster I had. When I told her "Short Circuit 2" (in a voice low enough so no one else might overhear), she acted as if I had in my possession something so wonderfully amazing that the human mind could not possibly fully grasp the magnitude of what was happening at that moment. I imagine she had been preparing such a display of emotion all weekend. She shared that even she didn't have that poster, which I guess was meant to make me feel like I was a truly special human being. And, in a way, I am special--just not in the conventional way that you consider one special.

Anyway, she was very excited to sign the poster and then she took a picture with me.



Gibb was in between Staci Keanan (see previous post) and William Davis, a man with a long list of TV appearances but who is best known as Cigarette Smoking Man from "The X-Files." For some reason, he was charging more ($25) than the average rate (which was $20), but I didn't see him getting much business. Keanan was slightly busier and was also apparently cleaning out her closets.



The most interesting part of the sale was that the advertised $75 "My Two Dads" jacket was sold by the time I got there. So I assume someone paid $75 for said jacket. And that makes me a little sad for that person.

Taking pictures of the celebrities at Chiller is risky business, as you don't want to seem interested enough that the celebrity or his/her assistant will think you might be willing to pay for either an autograph or a photo with the celebrity. The guy working with Jason Mewes tried to rope me into a $20 photo with Mewes, which, it turns out, is slightly over $19 than I was interested in spending. Brian O'Halloran (Dante), to his credit, was not charging for photos with him, making him slightly more admirable. Also not charging for photos with was Judah Friedlander, who asked me if I wanted to take a picture with him after he spotted me taking a picture of him. He actually seemed more excited about meeting the other celebrities at the show (particularly the hot actresses of the 1980s...I saw him handing "Dream A Little Dream"'s Meredith Salenger a business card later) than actually signing autographs himself. I give him the full Tinsel and Rot Seal of Approval.



A side note: I'm pretty sure that I saw the actual Toby (whom Friedlander played in "American Splendor") walking around in the main autograph pit. I was slightly taken aback--both at the fact that he was there and that I know what he looks like.



The main autograph pit, which I waited about an hour to get into, featured most of the big names--"big" being relative of course. For instance, here are two of the big names in the pit, the stars of their respective Hollywood families, Daniel Baldwin and Frank Stallone, who has to admit that it's no longer all that far from over.



Ernest Borgnine was the main attraction (despite inexplicably getting fifth billing on the guest list, behind Mewes, O'Halloran, Marilyn Ghigliotti [also from "Clerks"], and Micky Dolenz), and in fact had a separate line from the one for the pit. So, not wanting to wait on another line and content that he was getting his due, I skipped Borgnine, freeing up more money for me to spend. Hmmm....who to spend it on? Joe Pantoliano? Amy Dolenz (you've seen "Miracle Beach," right?)? Katey Sagal? Wait a second--what am I thinking? What kind of VH1 Celebreality fan would I be if I didn't get a picture with...



Brigitte and I make a nice couple, no? After shoving her boob into my chest for the photo, she kissed me on the cheek (very European), which she seemed to do with every guy. That's working hard for the money. I don't think I'd be willing to kiss the average Chiller attendee. Scratch that, I know I wouldn't. I saw a guy with a cast on his leg and his gnarly-looking toes exposed in the pit, and that wasn't even the most disturbing Chiller-goer. I think that would've been the guy carrying a woman around by a leash. I tried to get a picture. I failed. I did get a picture of this guy just before he grazed a french fry.



After taking pictures of celebs sitting at their tables over the course of a few hours, I started to hit that point I hit at every Chiller where I just start feeling bad for the celebrities and have to get out ASAP. So I have nothing else to really recap. But here are two pictures of former child stars Mason Reese (who was selling his own bootleg DVD of his TV appearances) and Kathy Coleman (Holly from "Land of the Lost").





See, you feel bad now, too, don't you?

My work here is done.

5.05.2008

Hold on, I'm comin'

Much to report on a fine New Jersey weekend--the Chiller Theatre convention in Parsippany on Saturday and the New Jersey Hall of Fame inaugural induction ceremony in Newark on Sunday. But I need some time to get everything together. I hope to start the recaps Tuesday night. In the meantime, here are some photos to tide you over.

Staci Keanan ("My Two Dads," "Step by Step") tries to drum up some business



Ernest Borgnine: a man too cool to be at a Chiller Theatre convention but there nonetheless



Toni Morrison on the NJ Hall of Fame red carpet



Bruce singing "Glory Days," as seen from the last row of NJPAC

5.02.2008

What I Liked About April


*The birth of Cathryn Abigail Cagnazzi
*Kathleen Edwards/Dan Wilson, Irving Plaza, NYC
*Brisket sandwich, Georgia's Eastside BBQ, NYC
*"Celebrity Fit Club: Boot Camp"



*The Dirtbombs, Other Music, NYC
*Kristin Andreassen/Laura Cortese and Aoife O'Donovan, Arlene's Grocery, NYC
*Getting a Donnie's Green Lantern matchbook on eBay
*"Shine A Light"

*Chip Robinson and the Roscoe Trio, Lakeside Lounge, NYC
*Getting Chevy Chase's autograph
*Coconut custard ring danish, Cake Chef, Staten Island, NY
*The willingness of people with cars to drive me places